"In simple terms, Ride
the High Country was about salvation and loneliness" - Sam Peckinpah
Both in their 60s
at the time, Joel McCrea and Randolph Scott summed up their careers in
Sam Peckinpah's second film, Ride the High Country. After two hundred
films between them, this was Scott's final film and McCrea's second to
last. The film was shot in only twenty-six days and played mostly as bottom
filler for double bills. It was only after winning first prize at the Cannes
Film Festival that it began to be appreciated for the true classic it is.
Set in the early days of the century, the days of the cowpoke are giving
way to the modern modes of transportation and communication. People like
lawman Steve Judd (Joel McCrea), with a reputation for fierce integrity
may be obsolete in the New West but his dignity and strength of character
make him a hero worthy of admiration.
The film is both a lament
for the passing of the Old West and a gentle celebration of humanity’s
search for friendship, honour, and trust. Both men feel they have somehow
failed to live up to their standards and want one more chance to redeem
their honor. Judd wants to recapture some measure of self-respect while
Westrum looks for the material wealth that has always eluded him. As the
film opens, Judd hires his ex-deputy Gil Westrum (Randolph Scott) to help
him transport a shipment of gold bullion down from the high Sierras, a
job in which six prior attempts ended in failure. Against Judd's advice,
they bring along a third man - a wild, womanizing youth named Heck Longtree
(Ron Starr), who proves to them that he can handle himself in a fistfight.
Things get complicated
when they spend the night at a farm run by puritanical Joshua Knudson (R.G.
Armstrong) and Heck is taken with his beautiful daughter Elsa (Mariette
Hartley). Feeling thwarted by her possessive and moralizing father, Elsa
runs away with the trio hoping to find a miner, Billy Hammond (James Drury)
who has promised to marry her. As they ride up into the hills, the cinematography
by Lucien Ballard reflects the beauty of the West as it has rarely been
seen. When they arrive, things go from bad to worse for Elsa. Preceded
by a marvelously comic horseback parade in which the boys sing "When the
Roll is Called Up Yonder", she is married to Billy in a saloon presided
over by an inebriated judge.
Unfortunately, she has
to be rescued by Judd after Billy Boy plans to share his bride with his
four redneck brothers on their wedding night. The wedding scene is shown
from Elsa's point of view and it is sympathetic and touching. On the way
back with the gold, however, Gil turns on his old friend, plotting with
Heck to steal the gold. In a famous exchange, Gil asks Judd, “Pardner,
you know what’s on the back of a poor man when he dies? The clothes of
pride. Is that all you want?” To this Judd replies “All I want is to enter
my house justified.” When the travelers encounter the Hammond boys waiting
to ambush them at the farm, both men must confront their deepest fears
and their noblest truths.
Howard
Schumann