In a futuristic Japan,
millions are without work. Teenagers no longer regularly attend school
and the educational system is near collapse. Students still dress in their
neat beige uniforms but discipline no longer exists. To combat this situation,
the government passes The Millennium Education Reform Act designating a
class of ninth-grade students to be chosen each year by lottery and sent
to a deserted island to fight each other until only one person survives.
Based on a novel by Koushin Takami, Battle Royale, a film by the
late Yakuza director Kinji Fukasaku, is a requiem for the end of dreams
and a metaphor for the loss of innocence in a world that has forgotten
what it means to be human.
Though there are moments
of black humour, the film is playing for keeps and the insanity of violence
is shown in such uncompromising detail that it vividly reminds us that
death is not a spectator sport, but a shocking and horrifying reality.
The latest contest reunites 44 selected students with their teacher (Takeshi
Kitano), a detached and ruthless resentful of the dwindling attendance
in his classes. Each student is given food, a different weapon, a map,
and a collar affixed to their neck that will explode if they try to remove
it. They have three days in which to survive or perish. The children, forced
by society to engage in a bloodletting ritual, all react differently.
Some refuse to participate
and plan to escape, some join with other groups for protection, some use
it as an opportunity to settle old scores, a few commit suicide, and still
others take it as a challenge to survive at all costs. Fukasaku captures
what it means to be an adolescent with its sadness, bravado, and joy. Before
she is killed, a teenage girl tells Shuya that she has always had a crush
on him. Another boy facing death asks a girl if she will help him lose
his virginity. Children are forced to live in an atmosphere of fear and
distrust, having to look at their best friend as a potential killer. In
this nightmare scenario, every morning they listen to the loudspeaker announcement
by their teacher, about who is dead and how many are left alive. The actors
cast are all around the age of fifteen and all are excellent.
A blur at the beginning,
we gradually get to know the main characters. Shuya Nanahara (Tatsuya Fujiwara)
is a boy whose father hung himself and decides he will do anything to protect
Noriko (Aki Maeda), the girl he loves. Kawada is a survivor of a previous
contest, who Shuya and Noriko trust to provide them with a means of escape.
In Battle Royale, the violence is overwhelming and the film raised a storm
of controversy in Japan when it was first released. It is, however, not
shown to numb our senses but to make us feel. Like All About Lily Chou
Chou, a 2002 film about the effects of bullying in Japanese Junior High
Schools, Battle Royale captures the effects of a social order that
has lost its bearing.
It is a fable but one
that makes a coherent statement about the world we live in. In a world
where 14 and 15 year-olds are forced into combat in African and South American
guerilla wars, where the proportion of childhood deaths in the Israeli-Palestinian
conflict is greater than adults by a ratio of 5-1, and where hundreds of
children are killed each day in Iraq in the name of democracy, it is only
logical to ask why our children should be overly concerned with the inherent
value of life when apparently no one cares. In the words of Bill Marshall,
"It is only through the realization that…killing is an abomination, no
matter what form it takes or how it is described, that we can instill a
conscience in all of our children." Hopefully that lesson can be taken
from Battle Royale.
GRADE: A-
Howard
Schumann